I have just decided to rearrange my big climactic action sequence at the end of Terror.
I think this will be perfect.
We'll spiral up, from ordinary to odd and then totally off the wall, instead of going ordinary, off the wall and then back to oddness.
Onward and upward, I have a kidnapped secretary awaiting awfulness.
I think this will be perfect.
We'll spiral up, from ordinary to odd and then totally off the wall, instead of going ordinary, off the wall and then back to oddness.
Onward and upward, I have a kidnapped secretary awaiting awfulness.